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La Boheme in Florence

The production by Mario Pontiggia is altogether very traditional, and we see what we expect going to see La Bohéme, but in general the idea has something fake in itself, not only because everything seems too rich, but something is contradictory, specially in the first and last act.Regi: Mario Pontiggia. Conductor: Carlo Montanaro. In general, a nice performance, even if there were no great vocal p ...
(Kulturkompasset 11.12.2011 kl. 14:13) Les saken >>




Saken inneholder følgende stikkord (sortert alfabetisk): (Arlecchino (but (translation (why?) 12/11/11 19 2011 2nd ALESSANDRA ANDREA ANTONUCCI Alcindoro: Alessandra Altogether Antonucci Arlecchino As At BOHÈME Bardelli Benoît Boheme Bohème Bohéme Bruno By CARLO CARMELA CORO CORTESE Cafè Cantori Carballo Carlo Carmela Cast: Categorized Chorus Colline Colline: Comunale Conductor: DECARO DEL Decaro Del Even FIORENTINO FLORENCE: Fabio Firenze Florence Francesco GUINIS Giacomo Giacosa Gianni Giuseppe He Her Illica In Italy LA LEONARDO LISANDRO LORENZO LUCIANO La Libretto: Life Light: Lorenzo Lucca Luigi MAGGIO MARCO MARIANELLI MELANI MONTANARO MUSICALE Marcello Marcello: Marco Marianelli Mario Marisol Milan Mimì Mimì: Mirenda Momus Momus Montanaro Montanaro Musetta Musetta: Music: Neapolitan Now ORCHESTRA Opera Opera Paolo Paris Paris’ Parpignol Parpignol: Pontiggia Pontiggia Poster Puccini Puccini’s REMIGIO ROBERTI Ragazzi Rather Regia: Remigio Remigio’s Rodolfo Rodolfo: SAVIO SIMONE STEFANO Savio Scenography Schaunard Schaunard: Sergente She Simone So Stefano Teatro Thanks The They Tredicine) Un VINCO VITO Vinco We Zito accettable accurate act act act.Regi: age all almost already also altogether always among an and andcostumes: appreciate are as at atelier attention audience because been best bit boys burnished but by called came can can’t cast century character characterized characters circle cohesion cold colours comes comfort coming conductor contradictory cord correct costumes count cozy created da: days december dei designer di diretti doganiere: doganieri: don’t duetto easily elegant emotional emotionally emotions end even every everyday everything expect expressive expressivity fake fashion fervour few find fine first flat flexibility following for fortune friends frigid from garret general going good great has hasn’t have hear heard heart her her him his home how idea if imagination in involving irreparable is isn’t it its itself it’s large last life like live look looked looking looks lost love many mask) masks medium melodies moments money more much musical musically musician neapolitan necessary needed nice no not of on one only opera or orchestra our out own pain part payed penniless perfectly performance personalities phrases place pleasant poor problematic problems production quartetto quite rather recent record register reliable repertoire rest rich right role roofs… room” said same scenically second see seems seen showing shows singers so some something sometimes specially stage staged students supports takes technique tenor th than that the their them there these they things: third thoughtlessness tidy: time times to today’s too too touches toy-seller traditional try two understand upper us very vocal voice voices was way we were what when where which who whole wide winner with world world?): world” writing written wrote years years you young youth youth’s “embraces” “maestrino” “mature” “poor “small “too” •

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