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Matteo D’Amico, Brahms and Beethoven in Florence

The program of this concert is almost a sign of continuity between Nineteenth Century and modern music, with contemporary Italian composer, Matteo D'Amico, performed together with Beethoven and Brahms. In D'Amico's short piece (Haydn allo specchio, Haydn in the mirror) Haydn and his classicism are the starting-point of an agreeable but non particularly interesting work, at least at a first auditio ...
(Kulturkompasset 01.01.2012 kl. 22:45) Les saken >>




Saken inneholder følgende stikkord (sortert alfabetisk): (Haydn 1/01/12 2011 2012 20th 28th 58 98 Allegro Another Anyway BEETHOVEN: BRAHMS: BUCHBINDER Bardelli Beethoven Beethoven’s Below Brahms Brahms Brahms’ Bruno Buchbinder By Categorized Century Chef Classical Classicism’s Concert Conductor Conductor D'Amico D'Amico's DEL D’AMICO: D’Amico D’Amico’s FABIO FIORENTINO FLORENCE: Fabio Fiorentino Florence Haydn He House In It Italian Italy JOHANNES January Johannes LUDWIG LUISI Ludwig Luisi Luisi’s MAGGIO MATTEO MUSICALE Maggio Matteo Metropolitan More Musicale New Nineteenth ORCHESTRA Opera Orchestra Piano RUDOLF Review Rudolf Sometimes Symphony The Then This Tredicine Two Unfortunately VAN Vienna York about acclaimed again against ago agreeable all allo almost also among an and anonymous apart appointed are as at auditio audition autoritative bars be be beginning between but by came can care century choice classicism closed coming comparing complete composed composer compositions concert conductor conductors considered construction contemporary continuity correct couple days december deepening del depth deserves details different disappointing do easy eigthy encore end english enough every famous far few first five follows for from future great greeted had hands have he him his holds horn how idea ideas ignores in inaugurated incipit initial instrumental interesting interesting internationally interpretation involving is it italian its it’s just least lecture let lightings like major makes masterpieces merely mirror) moderate moderato modern more most movement moviment music musicians my n next no non not nothing now nr nr of on one op or orchestra orchestra page part particularly perfect performance performed personal pianist pianists piano piece place played players pleasant program quite rather real recendly renunciatory repertoire say score second section see sense short should shows sign situation soloist soloist’s some sound span specchio starting-point study success success sudden superficiality; sure symphonic takes tempo terrible th than that the there they third this time to together too took torment touch traces translation trust underlined understand until us usually van very was we well which whole will with wonderful work works world years “Mediterranean” “Nordic” “played” •

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Oppdatert: 29.05.12 kl. 14:20
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