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IL VIAGGIO A REIMS in Florence

Rossini composed his scenic cantata Il viaggio a Reims for the crowning of Charles X, King of France, and it was performed for the first time in Paris in 19th june 1825. It was a great success, In this performance in Florence the artists are of average quality, with some good exceptions, such as young China tenor Yijie Shi as Cavalier Belfiore. Among the female artists, Eva Mei (Madama Cortese), A ...
(Kulturkompasset 30.01.2012 kl. 17:00) Les saken >>




Saken inneholder følgende stikkord (sortert alfabetisk): (Corinna) (Madama (Melibea) (except 1/30/12 18 1825 1980s 1984 19th 2012 Abbado All Alvaro Alvaro: Among Annunziata Antonio: Any As Auditorium Auxiliadora Bambi Bardelli Barone Belfiore Belfiore: Bellavia Bolognesi Brownlee Bruno But By Camastra Camastra’s Cantata Categorized Cavalier Charles China Cinti-Damoreau Claudio Comte Comunale Conte Contessa Corinna: Coro Cortese) Cortese: Cossutta Costumi: Daniele Direttore: Domenico Don Donzelli Enrico Eva FLORENCE: Fabio Festival Filibeck Fiorentino Florence Folleville Folleville: Foundation France Gabriele Gandini Gelsomino: Giglio Gioachino Giovanni Giuditta Given Gossett Grassi He IL Il In It Italo Italy Italy’s It’s Janet Johnson King King La Laure Lawrence Leah Libenskof: Lord Luca Luci: Luigino: L’Albergo MIllenotti Madama Maddalena: Maggio Marchesa Marco Marianna Mario Maurizio Mazzoni Mei Melibea: Michele Millenotti Modestina: Musicale Musicologist On Opera Orchestra Ory” Ory” Paris Partridge Pasta Pedrotti Pertusi Pesaro Pesaro Pesaro’s Photo: Pizzolato Plombières Praticò Profondo Profondo: Prudenzio Prudenzio: REIMS Regia: Reims Reims Reims” Review Ribis Ronconi Rossini Rossini-expert Rossini: Rossini’s Rustioni Rustioni Saverio Scene: Shi Sidney Sidney: Silvia Sometimes Staging Taormina Teatro The Then This Toledano Tredicine Trombonok Trombonok: Unfortunately VIAGGIO Vestri Veteran Viaggio Vincenzo Whereas X XIX Yijie Zefirino: able above act acting action addition after again agilities all almost also among an and any applauded are aria artists as assessment at audience audience average beautiful beautifully beauty became because been believe best better bronchial brought but by cantata can’t care cast cast: centre century ceremonial character characters class clear colourful come coming compete composed concertant concertation condition conduction conductor consideration considered control correct correct costumes could countries coup crazy crowning dances days de del depicted di different difficult director dissent dive do doctor dose dusty d’Oro each effective effective energy english enjoyable enjoyed enough ensemble ensemble’s enthusiastically entire especially european even evening event example exceptions excite excitement executed experience extraordinary extravagant famous feeling female few finally finesse first for foreseen fortunes fourteen free from gennaio ghosts good great greatest group had happens has have he he’s hilip himself his honour hospital idea ideas identities important in incredible indeed indescribable into involved irony is it italian june keep later left less libraries light little long looking lost make many mastery maybe mixed modernity moments more most much must my national needs never new no not nothing now numbers nurses obsessions occasional of offers on one only opera or orchestra ossia others over own painstakingly paragon part part parts peculiarities people performance performances performed permanent personal personality piece pity plainly plot pneumonia… pool poor prepared presence presented prestigious problems production psychiatric pure quality rather reach real refined rehearsal remaining remember repertoire reviewed revised revivals) risking sang scene scenes scenic score search second see seemed show showed shows singer singers small so solos some something sometimes spa special stage stages staging strictly success succession such take talked technically tenor term than thanks that the theatre their them themselves there they this those time time: to together too translation unavoidable under unexisting unforgotten unveiling us used useful very viaggio vibrato vocal voice voices wanted was water we well were where which who whole wins with without witness wonderfully work world would young “Il “Le “belcanto” “quattordicino” •

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